


universal literacy for haiti
universal literacy for haiti
Helping Young People Create New Worlds

and Partners' Power of Good


Feeding Education.






'Don Paul is an extraordinary voice both within and beyond New Orleans—an artist, writer, and organizer whose life’s work reflects a rare fusion of creativity, conscience, and commitment. His poetry, deeply musical and socially aware, resonates with the rhythms of both human struggle and hope. Whether through his books, spoken word performances, or recordings with master musicians, he channels a spirit rooted in justice, love, and transformation. His presence in New Orleans since 2006 has left a significant imprint, especially in the 2006 year after "the Federal Flood", when he immersed himself in rebuilding efforts with Common Ground and Rebuild Green.
More than simply a poet or performer, Don Paul is a cultural catalyst. He has used his voice to advocate for the rights of the unhoused, for environmental sustainability, and for youth empowerment through the arts. His work with non-profits--co-directing Sticking Up For Children with his Haiti-born wife Maryse Philippe Déjean since 2013, when Cyril and Gaynielle handed them SUFC as a trust and vehicle--exemplifies his belief in nurturing the next generation. His collaborations with acclaimed musicians such Alex de Grassi, Hamid Drake, Kidd Jordan, and members of the Dirty Dozen Brass Band show his deep respect for jazz and improvisation—not only as music but as a metaphor for resilience and creative survival. His projects with DPRAM are especially grounded in the sense of Place--especially a Place so rich and various in Louisiana.
Critics and fellow artists often place Don Paul in the company of literary and artistic legends. His language—vivid, fluid, and often fearless—traverses the personal and political with equal grace. Yet despite his long list of achievements, he remains grounded in service, believing that we each and all have gifts which we're meant to "JAM on!". In a world often marked by division and commodification, Don Paul insists that we can "grow the whole" and that 'one for all does one most good.' His legacy is one of generosity and enduring artistic courage. Repeat, more than once, 'Only connect', and, yes, connect with 'Tenderness.'

'Like Shakespeare, Jack Kerouac, Langston Hughes, VirginIa Woolf, and Carson McCullers,
Don Paul uses words like music.'--DAVID AMRAM, 2018
'Don Paul's novel Good Intentions proposes and explores the only kind of revolutionthat seems possible in North America in these days of Reaganocracy.'--LAWRENCE FERLINGHETTI, 1986
'I was moved deeply by Don Paul's poetry. A way sane as dance.'--JEANNETTE ARMSTRONG. 1999
'Don Paul is an original voice in American poetry and a mesmerizing performer, with a far-reaching and inclusive vision of a better world.'--APRIL SMITH, 2013
'Don Paul is a voice likely to last far beyond our time.'--MICHAEL ROGERS, 2016
'The stories in Ramon Took Off Friday Again showcase the immense talents of one of Am
America's most original writers of fiction. Don Paul enters the consciousness of his characters mid-brain, and with an intense realiry that makes you certain you know these people more
deeply that they know themselves.'--SCOTT TUROW, 2023
'It's a marvelous book, lovely and heartfelt. Don Paul is New Orleans' Lou Reed.'--
TOM ZIGAL, 2015
'What a range of emotions and ideas.... You write pissed-off poems that flare and
flame ... and then you turn around and write poems of such lyrical tenderness
that somehow don't collapse into sentimentality that I am amazed.' CHUCK KINDER
'Now, let me say that Don is a kind of genius, one of those people who never
cease to surprise you. "He was the smartest of them all," Dianne often says.'--
IICOLA MANUPELLI, 2021
'Later I heard marvelous recordings of Paul delivering his poetry to music with a
variety of improvisers, including tenor saxophonist Glenn Spearman.... What made
these recordings important was the range of musical styled that Paul used to convery
poetry. His voice and words become instruments in the musical compositions....
Listen for the music that is there.'--MATT GONZALEZ in his Foreword to Flares, 2002.







